Download PDF The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, by John Truby
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The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, by John Truby
Download PDF The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, by John Truby
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Review
“Truby attempts to inform the entire story, addressing plot, character, tone, symbolism, and dialog. The key here is to grow a script organically rather than force the story into preexisting mechanics . . . Highly recommended.†―Library Journal“A comprehensive guide to writing stories of all kinds, Truby's tome is invaluable to any writer looking to put an idea to paper.†―Booklist“The Anatomy Of Story is concrete and practical without resorting to simplistic 'Three Act Structure' screenwriting clichés. It will be an indispensable guide to writing your first great script. Then, the perfect survival manual to help you negotiate the often confusing, contradictory and cutthroat world of professional screenwriting.†―Larry Wilson, co-writer /co-producer of BEETLEJUICE and co-writer of THE ADDAMS FAMILY“A veritable bible for screenwriters.†―Backstage“If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby . . . [His lessons draw] epiphanies that make you see the contours of your psyche as sharply as your script.†―LA Weekly
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About the Author
John Truby is Hollywood's premier story consultant and founder of Truby's Writers Studio. He has worked as a story consultant and script doctor for Disney Studios, Sony Pictures, FOX, and HBO, among others, and has taught screenwriting to students worldwide.
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Product details
Paperback: 464 pages
Publisher: Farrar, Straus and Giroux; 1st edition (October 14, 2008)
Language: English
ISBN-10: 0865479933
ISBN-13: 978-0865479937
Product Dimensions:
5.5 x 0.9 x 8.3 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
362 customer reviews
Amazon Best Sellers Rank:
#8,067 in Books (See Top 100 in Books)
They key to writing, as I see it, would be to organize your thoughts. I tried what this author recommends, and my chapters seem to move much quicker as a result. Of course, he allows for change as you go. This book seems to make sense of the craft.
Well, it took me long enough to get around to reading and reviewing this.I have some favorites out there when it comes to writing (Shawn Coyne, Steve Pressfield, Larry Brooks) and I'd been pretty well versed in outlining and structure. I work in novel writing as opposed to scripts, so I didn't think I needed to add this to my list.I was wrong. I learned so much and I highly recommend this book.A couple things were real eye-openers to me.If you've been working with the three-act structure and doing things like "getting it down" then you might read this and at least see why you could be harming your craft with some habits that might be counter-productive. I know I learned a few things that will save me grief.
After reading this the first, i found myself rather skeptical of the instruction this provided. It urged the author to first design the character and to pick a character flaw that he will resolve. Every other facet of the story will spring from that choice including who the other characters are,what the plot will be, the story world. Truby calls it an organic approach but i found myself disagreeing with this assessment, it feels artificial to me. He also devoted a section to the moral of the story.This approach didnt feel like it covered everystory. Indeed, he had trouble bringing this to genre type projects. Also, the moral section troubled me because not every story has a moral. Some feel like explorations rather then declarations. Another issue i had with the content is the lack of outdated examlles. Gone with the wind, tootsie, La confidential. I feel updates are neccesary, and this applies to genre as well. More contemporary movies and novels will have a better time resonating with audiences.Despite my skepticism, i started applying the tools and referring back to it when writing. When i looked at other theoretical frameworks for writing, i discovered there was a lot of overlap. Similar sections but with different language. A prime example of this is Story maps. It better suits my approach to story analysis, while ackowledging all the same topics including theme (which is what tryby referred to as the moral).Overall i believe truby to be a great resource that shaped the way i approached writing and reading for the better.
A must read for writers, both seasoned and aspiring. A great contrast to SAVE THE CAT; a much deeper take on plotting that really looks at the way theme and characterization drive plot forward. I could talk about this all day, but suffice it to say that if you are planning to write a book/screenplay or have written ten, you need to read this. It will really help you solidify some of those concepts you know instinctively but perhaps have never tried to quantify.
I have spent a lot of money on screenwriting and novel writing books. I have had recommendations for books that were different, or foolproof; formula based, character based, plot based, etc. In my experience, the screenwriting books do it better than the novel writing ones, but it still takes some searching to find something really useful. I first used John Truby's book for a screenplay I was writing. I followed the first few chapters religiously and discovered I was solving problems I didn't even realize existed, creating deeper characters and stronger arcs all as part of the process. It wasn't formulaic and didn't give me a standard plot, but it did adhere to a few fundamental truths about story and character that cannot be ignored. As with any book, you need to use your brain and alter the rules to fit your story, but trust me, don't stray too far. It's very easy for someone to think that their character or story is "too good" or "above" the rules of conventional story telling but trust me, even the most obscure stories follow this basic format (if they are any good). It gives you relatable examples from a variety of movies, and the exercises are actually practical (none of the tired clichés such as "write about an experience you had where..." or "tell a story using these key words as a starting point"). All the exercises are specifically designed to help you develop YOUR story, not just any random plot.Because of the success I had with this method, I used the book again for planning my novel. Now, with a novel there are a few changes that need to be made. More happens in a novel, and of course things like "the audience reveal" are generally strictly cinematic tools and don't translate well to literature. However, I found the same successes with it for novel writing. Same problems being solved, same richness added to the plot and character.I would recommend this book to anyone writing something with plot. I bought this originally in paperback and purchased the kindle version so that I could just carry around my iPad. Use in conjunction with your favourite other texts (I like Blake Snyder's "Save the Cat" beat sheet for pacing. I cross referenced this with my favourite novels from the genre I was writing in to find the appropriate pacing for the novel).There is no such thing as a magic book that will make you a great writer, BUT if you have skills and a great idea, this will help you workshop and develop the idea to give you something you actually start writing.
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